Medie- och kommunikationsvetenskap C, 30 högskolepoÀng
Giltig fr.o.m.: | HT2021 |
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Giltig t.o.m.: | HT2021 |
Beslutsdatum: | 2021-05-28 |
Beslutad av: | ÄmnesrĂ„d Medie- och kommunikationsvetenskap |
Delkurs 1: Vetenskapsteoretiska perspektiv pÄ medier och kommunikation
Litteratur att köpa/lÄna/ lÀsa online
Sohlberg, Peter & Sohlberg, Britt-Marie (2019): Kunskapens former. Vetenskapsteori, forskningmetodik och forskningsetik, Stockholm: Liber. (ca 320 s.)
Uggla, Bengt Kristensson (2019): En strÀvan efter sanning: vetenskapens teori och praktik. Lund: Studentlitteratur. (ca 380 s.)
Texter tillgÀngliga online pÄ Studiewebben
Bourdieu, Pierre, Photography. A Middlebrow Art (1965/1990), âPart 1â, s 1-98. Cambridge: Polity Press
Kant, Immanuel (1989 [1874]): âSvar pĂ„ frĂ„gan: Vad Ă€r upplysning?â i Brutus Östling (red.), Vad Ă€r upplysning? Stockholm/Stehag: Symposion, s. 27-36.
Latour, Bruno (2004). Why has critique run out of steam? From matters of fact to matters of concern. Critical inquiry, 30(2), 225-248.
Ricoeur, Paul (1970/1992): "Vad Ă€r en text", FrĂ„n text till handling, Stockholm/Stehag: Brutus Östlings Bokförlag Symposion, 31-64.
Ricoeur, Paul (1986/1992): âFörklara och förstĂ„: text, handling, historiaâ, ur Ricoeur: FrĂ„n text till handling, Stockholm/Stehag: Brutus Östlings Bokförlag Symposion, s. 67-78.
Swedberg, Richard (2016): Before theory comes theorizing or how to make social science more interesting. The British journal of sociology, 67(1), 5-22.
Referenslitteratur
Dayan, Daniel & Elihu Katz (1992): Media events. The live broadcasting of history, Cambridge, MA & London: Harvard University Press
Gripsrud, Jostein (1998): âTi Ă„r i bransjen: Fortid, samtid, framtidâ ur Nordicom Information Vol 20 (3). (7 s)
Hepp, Andreas & Nick Couldry (2010): âIntroduction: Media events in globalized media culturesâ, i Nick Couldry, Andreas Hepp & Friedrich Krotz (eds): Media events in a global age, London/New York: Routledge, 1-20.
Lasswell, Harold (1948): âThe Structure and Function of Communication in Societyâ, i Bryson, Lyman (red.) The Communication of Ideas, New York: Copper Square Publishers, s 37-52.
Liedman, Sven Eric (1998): âInledningâ, ur Mellan det triviala och det outsĂ€gliga, Göteborg: Daidalos, s 9-17.
Bengtsson, Stina, Staffan Ericson och Fredrik Stiernstedt (2020). Medievetenskapens Idétraditioner. Lund: Studentlitteratur.
Delkurs 2: Specialisering inom teori och metod
Teorifördjupning: Produktion och institution (435 sidor + 100-200 s. egenvald litteratur)
Banks, Miranda J (2009) Gender Below the Line: Defining Feminist Production Studies. (12 s). I Mayer, V. & Caldwell J.T. (eds.) Production Studies. Cultural Studies of Media Production. London & New York: Routledge, pp. 87â99.
Crawford, Kate. (2021). The Atlas of AI. Yale University Press, kap 2, s. 54â87 (43 s)
Deuze, Mark (2007) Media Work. Cambridge: Polity., kap 1, s. 1â45 (45s)
Fenton, Natalie, Freedman Des, Scholsberg Justin, & Dencik Lina (2020) The Media Manifesto. London: Polity. (50 s)
Grindstaff, Laura (2009) Self-Serve Celebrity: The Production of Ordinariness and the Ordinariness of Production in Reality Television (16s). I Mayer, V. & Caldwell J.T. (eds.) Production Studies. Cultural Studies of Media Production. London & New York: Routledge, pp. 71â87.
Hesmondhalgh, David (2019) The Cultural Industries (4th ed). London & New York: Routledge, s. 159â236 (77s)
Holt, Jennifer & Perren, Alisa (red.) (2009). Media industries: history, theory, and method. Chichester, West Sussex: Wiley-Blackwell (lÀses I urval ca. 100 s)
Mayer, Vicki (2011) Below the Line: Producers and Production Studies in the New Television Economy. Durham & London: Duke University Press. (urval ca. 100 sidor)
Schiller, Dan (2017). Labor and digital capitalism. I Maxwell, R (ed.) The Routledge Companion to Labor and Media. London & New York: Routledge, pp. 3â18. (15s)
Schiller, Herbert (1969) Mass Communications and American Empire. Boston: Beacon Press. (Utdrag ca. 15 s).
Stiernstedt, Fredrik (2020). Herbert Schiller: Mass Communications and
American Empire (1969), i Bengtsson, S., Ericson, S. & Stiernstedt, F. (red.) Medievetenskapens IdĂ©traditioner. Lund: Studentlitteratur, s. 139â152. (13s)
Stokes, Jane, How to do media and cultural studies, 2. ed., SAGE, London, 2013 (I urval ca 50 sidor)
Teori- och metodfördjupning: Text och representation (412 s, + 100-200 s egenvald litteratur)
Anden Papadopoulos, Kari (2009), âBody Horror on the Internet: US soldiers recording the war in Iraqâ, Media, Culture and Society, 31:6, 921â38 (17 s)
Barthes, Roland (1957/2007) Mytologier. Lund: Arkiv förlag. âDel 2. Myten idagâ, utdrag (ca 19 s frĂ„n början).
Barthes, Roland (1977/1971), âFrom Work to Textâ, Image-Music-Text, s 155â164. London: Fontana. (9 s)
Collins, Jane & Catherine Lutz, âThe photograph as an intersection of gazes: The example of National Geographicâ, Visual Anthropology, Volume7, Issue 1, March 1991, (15 s)
Eco, Umberto (1971), âBerĂ€ttarstrukturerna hos Ian Flemingâ, i Form och struktur: texter till en metodologisk tradition inom litteraturvetenskapen, Stockholm : PAN/Norstedt, Ă€ven i Atlas litterĂ€ra tillĂ€gg 2008:2, 232-276, Ailos 55, 2016, 115â137, (22 s)
Elsaesser, Thomas (2011), âJames Cameronâs Avatar: access for allâ, New Review of Film and Television Studies 9:3, 247â64 (17 s).
Foucault, Michel (1971), âOrders of discourseâ, Social Science Information, Volume: 10 issue: 2, page(s): 7-30, Issue published: April 1, 1971, (22 s), Svensk översĂ€ttning, Diskursens ordning (1993), red Mats Rosengren, Symposion.
Gunning, Tom (1986/1990): âThe Cinema of Attractions. Early Film, Its Spectator and the Avant-Gardeâ, i Thomas Elsaesser (ed): Early Cinema. Space, Frame, Narrative, London: BFI, s. 56â62 (6 s)
Johansson, Bengt (2019), âJournalistiken, objektiviteten och partiskhetenâ, s 187-200, i Handbok i Journalistikforskning, red.. Karlsson, Michael & Jesper StrömbĂ€ck, Lund: Studentlitteratur (13 s)
Larsen, Peter (2012), âMediated Fictionsâ, 131-152, (21 s) , I Klaus Bruhn Jensen (ed.) (2012, 2nd Edition), A Handbook of Media and Communication Research
Qualitative and Quantitative Methodologies, London: Routledge
Mittell, Jason (2001): âA cultural approach to television genre theoryâ, Cinema JournalVol. 40, No. 3 (Spring, 2001), pp. 3-24 (22 s)
Propp, Vladimir (1968/1928): Morphology of the Russian Folktale, Austin: University of Texas Press. (115 s)
Schröder, Kim (2012), âDiscursive Realitiesâ, s 106-130, (24 s), I Klaus Bruhn Jensen (ed.) (2012, 2nd Edition), A Handbook of Media and Communication Research
Qualitative and Quantitative Methodologies, London: Routledge
Stiegler, Bernard (2002). "The discrete image". In Jacques Derrida; Bernard Stiegler (eds.). Echographies of Television, Cambridge: Polity Press. pp. 145â163. (18 s)
Stokes, Jane (2013), Ch. 5, âResearching Texts: Approaches to Analyzing Media and Cultural Contentâ, s 118â169. (51 s)
Woll, Lisabeth, (2021), âConnectivity, Community and Hypertext:
The Digital Architecture of Far Right Communication Platformsâ, .i Anne Kaun (ed.). Challenging Digital Communiation, Mediestudier vid Södertörns högskola, 2021:1, Huddinge (21 s)
Referenslitteratur:
Egan Sjölander, Annika (2021), âMichel Foucault, Diskursens ordningâ, i Medievetenskapens idĂ©traditioner [ed] Stina Bengtsson, Staffan Ericson, Fredrik Stiernstedt, Lund: Studentlitteratur AB, 2020, 1, p. 153-â167, (14 s)
Stiernstedt, Fredrik, & Jakobsson, P. (2017). âWatching reality from a distance: class, genre and reality televisionâ, Media, Culture & Society, 39(5), 697â714. (17 s)
Barthes, Roland (1977/1961), âThe Photographic Messageâ, Image-Music-Text, s 15â31. London: Fontana. (15 s)
Van Leeuwen, Theo (2005). Introducing social semiotics. London & New York: Routledge.
Teori- och metodfördjupning: Publik och reception/etnografi 430 sidor + 100-200 sidor egenvald litteratur
Ang, Ien. (1985) Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge. (urval 50 s)
Bengtsson, Stina (2014). Faraway So Close! Proximity and distance in ethnography online. Media, Culture and Society, vol. 36, no. 6, sid. 862â877. (15 s)
Carpentier, Nico. (2011). New Configurations of the Audience? The Challenges of User-Generated Content for Audience Theory and Media Participation (Pages: 190â212) In Nightingale (ed) Handbook of Media Audiences. Malden: Blackwell publishing. (22 s)
Couldry, Nick. (2011). The Necessary Future of the Audience ⊠and how to Research it (Pages: 213-229) In Nightingale (ed) Handbook of Media Audiences. Malden: Blackwell publishing. (16s)
Healey, Tim., & Ross, Karen. (2002). Growing old invisibly: older viewers talk television. Media, culture and society. 24(1): 105â120. (15 s)
Miller, Daniel. (2011). Tales from Facebook. Cambridge: Polity Press. (urval 50 s)
Parameswaran, Radhika. (2001). Feminist Media Ethnography in India: Exploring Power, Gender, and Culture in the Field. Qualitative Inquiry, Volume 7, Number 1, 69-103. (34 s)
Picone, Ike. (2017). Conceptualizing media users across media: The case for âmedia user/useâ as analytical concepts. Convergence: The International Journal of Research into New Media Technologies, Vol. 23(4) 378â390 (13 s)
Pink, Sarah., & Postill, John. (2012). Social media ethnography: the digital researcher in a messy web. (15 s)
SchrĂžder, Kim., Drotner, Kirsten., Kline, Stephen., & Murray, Catharine. (2003). Researching Audiences. London: Hodder Arnold (170s)
Stokes, Jane. (2013). How to Do Media and Culture Studies. London: Sage. (30 s)
Metodfördjupning: Produktionsstudier och arkiv (135 sidor + 100 sidor egenvald litteratur)
Caldwell, J. T. (2006). Critical industrial practice: Branding, repurposing, and the migratory patterns of industrial texts. Television & New Media, 7(2), 99â134. (35s)
Forsman, Michael (2013) Talk Back and Participate! Cultural Technologies and the making of the active audience in Swedish local radio 1977-2000. In: Djerf-Pierre, Monika & Ekström, Mats (red.), A history of Swedish broadcasting: communicative ethos, genres and institutional change, NORDICOM, Göteborg, pp. 127â145 (18s)
Forsman, Michael (2011) Metodologi, material, genomförande. I Lokalradio och kommersiell radio 1975-2010. En mediehistorisk studie av produktion och konkurrens., Stockholm: Stockholms Universitet, s. 75â103. (28s)
Hesmondhalgh, David, & Baker, Sarah (2010). âA very complicated version of freedomâ: Conditions and experiences of creative labour in three cultural industries. Poetics, 38(1), 4â20. (16s)
Holt, J. & Perren, A. (red.) (2009). Media industries: history, theory, and method. Chichester, West Sussex: Wiley-Blackwell (lÀses i urval ca. 100 s)
MĂžller Hartley, J (2013) The Online Journalist Between Ideals and Audiences. Towards a (more) audience-driven and source-detached journalism? Journalism Practice, 7(5), 572â587. (15s)
Robertson, Craig (ed). Media History and the Archive. Abingdon: Routledge (I urval 1â2 kap) (ca. 30 s)
Ytreberg, E. (2006). Premeditations of performance in recent live television: a scripting approach to media production studies. European Journal of Cultural Studies, 9(4), 421â440. (19s)
Metodfördjupning: Statistiska metoder (250 sidor)
Djurfeldt, G., Larsson, R. & StjÀrnhagen, O. (2010). Statistisk verktygslÄda 1: samhÀllsvetenskaplig orsaksanalys med kvantitativa metoder. (2. uppl.) Lund: Studentlitteratur. LÀses i urval, ca. 250 sidor.