Litteratur

Medie- och kommunikationsvetenskap C, 30 högskolepoÀng

Giltig fr.o.m.: HT2021
Giltig t.o.m.: HT2021
Beslutsdatum: 2021-05-28
Beslutad av: ÄmnesrĂ„d Medie- och kommunikationsvetenskap

Delkurs 1: Vetenskapsteoretiska perspektiv pĂ„ medier och kommunikation 

Litteratur att köpa/lĂ„na/ lĂ€sa online 

Sohlberg, Peter & Sohlberg, Britt-Marie (2019): Kunskapens former. Vetenskapsteori, forskningmetodik och forskningsetik, Stockholm: Liber. (ca 320 s.)  

Uggla, Bengt Kristensson (2019): En strĂ€van efter sanning: vetenskapens teori och praktik. Lund: Studentlitteratur. (ca 380 s.)  

 

Texter tillgĂ€ngliga online pĂ„ Studiewebben 

Bourdieu, Pierre, Photography. A Middlebrow Art (1965/1990), “Part 1”, s 1-98. Cambridge: Polity Press  

Kant, Immanuel (1989 [1874]): ”Svar pĂ„ frĂ„gan: Vad Ă€r upplysning?” i Brutus Östling (red.), Vad Ă€r upplysning? Stockholm/Stehag: Symposion, s. 27-36.  

Latour, Bruno (2004). Why has critique run out of steam? From matters of fact to matters of concern. Critical inquiry, 30(2), 225-248.  

Ricoeur, Paul (1970/1992): "Vad Ă€r en text", FrĂ„n text till handling, Stockholm/Stehag: Brutus Östlings Bokförlag Symposion, 31-64.  

Ricoeur, Paul (1986/1992): ”Förklara och förstĂ„: text, handling, historia”, ur Ricoeur: FrĂ„n text till handling, Stockholm/Stehag: Brutus Östlings Bokförlag Symposion, s. 67-78.  

Swedberg, Richard (2016): Before theory comes theorizing or how to make social science more interesting. The British journal of sociology, 67(1), 5-22.  

   

Referenslitteratur  

Dayan, Daniel & Elihu Katz (1992): Media events. The live broadcasting of history, Cambridge, MA & London: Harvard University Press  

Gripsrud, Jostein (1998): ”Ti Ă„r i bransjen: Fortid, samtid, framtid” ur Nordicom Information Vol 20 (3). (7 s)  

Hepp, Andreas & Nick Couldry (2010): “Introduction: Media events in globalized media cultures”, i Nick Couldry, Andreas Hepp & Friedrich Krotz (eds): Media events in a global age, London/New York: Routledge, 1-20.  

Lasswell, Harold (1948): “The Structure and Function of Communication in Society”, i Bryson, Lyman (red.) The Communication of Ideas, New York: Copper Square Publishers, s 37-52.  

Liedman, Sven Eric (1998): ”Inledning”, ur Mellan det triviala och det outsĂ€gliga, Göteborg: Daidalos, s 9-17.  

Bengtsson, Stina, Staffan Ericson och Fredrik Stiernstedt (2020). Medievetenskapens IdĂ©traditioner. Lund: Studentlitteratur. 

 

Delkurs 2: Specialisering inom teori och metod 

 

Teorifördjupning: Produktion och institution (435 sidor + 100-200 s. egenvald litteratur) 

 Banks, Miranda J (2009) Gender Below the Line: Defining Feminist Production Studies. (12 s). I Mayer, V. & Caldwell J.T. (eds.) Production Studies. Cultural Studies of Media Production. London & New York: Routledge, pp. 87–99. 

Crawford, Kate. (2021). The Atlas of AI. Yale University Press, kap 2, s. 54–87 (43 s) 

Deuze, Mark (2007) Media Work. Cambridge: Polity., kap 1, s. 1–45 (45s) 

Fenton, Natalie, Freedman Des, Scholsberg Justin, & Dencik Lina (2020) The Media Manifesto. London: Polity. (50 s) 

Grindstaff, Laura (2009) Self-Serve Celebrity: The Production of Ordinariness and the Ordinariness of Production in Reality Television (16s). I Mayer, V. & Caldwell J.T. (eds.) Production Studies. Cultural Studies of Media Production. London & New York: Routledge, pp. 71–87. 

Hesmondhalgh, David (2019) The Cultural Industries (4th ed). London & New York: Routledge, s. 159–236 (77s) 

Holt, Jennifer & Perren, Alisa (red.) (2009). Media industries: history, theory, and method. Chichester, West Sussex: Wiley-Blackwell (lĂ€ses I urval ca. 100 s) 

Mayer, Vicki (2011) Below the Line: Producers and Production Studies in the New Television Economy. Durham & London: Duke University Press. (urval ca. 100 sidor) 

Schiller, Dan (2017). Labor and digital capitalism. I Maxwell, R (ed.) The Routledge Companion to Labor and Media. London & New York: Routledge, pp. 3–18. (15s) 

Schiller, Herbert (1969) Mass Communications and American Empire. Boston: Beacon Press. (Utdrag ca. 15 s). 

Stiernstedt, Fredrik (2020). Herbert Schiller: Mass Communications and  

American Empire (1969), i Bengtsson, S., Ericson, S. & Stiernstedt, F. (red.) Medievetenskapens IdĂ©traditioner. Lund: Studentlitteratur, s. 139–152. (13s) 

Stokes, Jane, How to do media and cultural studies, 2. ed., SAGE, London, 2013 (I urval ca 50 sidor) 

 

Teori- och metodfördjupning: Text och representation  (412 s, + 100-200 s egenvald litteratur) 

Anden Papadopoulos, Kari (2009), “Body Horror on the Internet: US soldiers recording the war in Iraq”, Media, Culture and Society, 31:6, 921–38 (17 s) 

Barthes, Roland (1957/2007) Mytologier. Lund: Arkiv förlag. â€Del 2. Myten idag”, utdrag (ca 19 s frĂ„n början).  

Barthes, Roland (1977/1971), ”From Work to Text”,  Image-Music-Text, s 155–164. London: Fontana. (9 s) 

Collins, Jane & Catherine Lutz, “The photograph as an intersection of gazes: The example of National Geographic”, Visual Anthropology, Volume7, Issue 1, March 1991, (15 s) 

Eco, Umberto (1971), ”BerĂ€ttarstrukturerna hos Ian Fleming”, i Form och struktur: texter till en metodologisk tradition inom litteraturvetenskapen, Stockholm : PAN/Norstedt, Ă€ven i Atlas litterĂ€ra tillĂ€gg 2008:2, 232-276, Ailos 55, 2016, 115–137, (22 s)  

Elsaesser, Thomas (2011), “James Cameron’s Avatar: access for all”, New Review of Film and Television Studies 9:3, 247–64 (17 s). 

Foucault, Michel (1971), ”Orders of discourse”, Social Science Information, Volume: 10 issue: 2, page(s): 7-30, Issue published: April 1, 1971, (22 s), Svensk Ă¶versĂ€ttning, Diskursens ordning (1993), red Mats Rosengren, Symposion.  

Gunning, Tom (1986/1990): ”The Cinema of Attractions. Early Film, Its Spectator and the Avant-Garde”, i Thomas Elsaesser (ed): Early Cinema. Space, Frame, Narrative, London: BFI, s. 56–62 (6 s) 

Johansson, Bengt (2019), “Journalistiken, objektiviteten och partiskheten”, s 187-200, i Handbok i Journalistikforskning, red.. Karlsson, Michael & Jesper StrömbĂ€ck, Lund: Studentlitteratur (13 s) 

Larsen, Peter (2012), â€œMediated Fictions”, 131-152, (21 s) , I Klaus Bruhn Jensen (ed.) (2012, 2nd Edition), A Handbook of Media and Communication Research  

Qualitative and Quantitative Methodologies, London: Routledge  

Mittell, Jason (2001): “A cultural approach to television genre theory”, Cinema JournalVol. 40, No. 3 (Spring, 2001), pp. 3-24 (22 s) 

Propp, Vladimir (1968/1928): Morphology of the Russian Folktale, Austin: University of Texas Press. (115 s) 

Schröder, Kim (2012), â€œDiscursive Realities”, s 106-130, (24 s), I Klaus Bruhn Jensen (ed.) (2012, 2nd Edition), A Handbook of Media and Communication Research  

Qualitative and Quantitative Methodologies, London: Routledge 

Stiegler, Bernard (2002). "The discrete image". In Jacques Derrida; Bernard Stiegler (eds.). Echographies of Television, Cambridge: Polity Press. pp. 145–163. (18 s) 

Stokes, Jane (2013), Ch. 5, “Researching Texts: Approaches to Analyzing Media and Cultural Content”, s 118–169. (51 s) 

Woll, Lisabeth, (2021), ”Connectivity, Community and Hypertext: 

The Digital Architecture of Far Right Communication Platforms”, .i Anne Kaun (ed.).  Challenging Digital Communiation, Mediestudier vid Södertörns högskola, 2021:1, Huddinge (21 s) 

 

Referenslitteratur: 

Egan Sjölander, Annika (2021), ”Michel Foucault, Diskursens ordning”, i Medievetenskapens idĂ©traditioner [ed] Stina Bengtsson, Staffan Ericson, Fredrik Stiernstedt, Lund: Studentlitteratur AB, 2020, 1, p. 153-–167, (14 s) 

Stiernstedt, Fredrik, & Jakobsson, P. (2017). â€Watching reality from a distance: class, genre and reality television”,  Media, Culture & Society, 39(5), 697–714. (17 s)  

Barthes, Roland (1977/1961), “The Photographic Message”, Image-Music-Text, s 15–31. London: Fontana. (15 s) 

Van Leeuwen, Theo (2005). Introducing social semiotics. London & New York: Routledge. 

 

Teori- och metodfördjupning: Publik och reception/etnografi  430 sidor + 100-200 sidor egenvald litteratur 

Ang, Ien. (1985) Watching Dallas: Soap Opera and the Melodramatic Imagination.  London: Routledge. (urval 50 s) 

Bengtsson, Stina (2014). Faraway So Close! Proximity and distance in ethnography online. Media, Culture and Society, vol. 36, no. 6, sid. 862–877. (15 s) 

Carpentier, Nico. (2011). New Configurations of the Audience? The Challenges of User-Generated Content for Audience Theory and Media Participation (Pages: 190–212) In Nightingale (ed) Handbook of Media Audiences. Malden: Blackwell publishing. (22 s) 

Couldry, Nick. (2011). The Necessary Future of the Audience 
 and how to Research it (Pages: 213-229) In Nightingale (ed) Handbook of Media Audiences. Malden: Blackwell publishing. (16s) 

Healey, Tim., & Ross, Karen. (2002). Growing old invisibly: older viewers talk television. Media, culture and society. 24(1): 105–120. (15 s) 

Miller, Daniel. (2011). Tales from Facebook. Cambridge: Polity Press. (urval 50 s) 

Parameswaran, Radhika. (2001). Feminist Media Ethnography in India: Exploring Power, Gender, and Culture in the Field. Qualitative Inquiry, Volume 7, Number 1, 69-103. (34 s) 

Picone, Ike. (2017). Conceptualizing media users across media: The case for ‘media user/use’ as analytical concepts. Convergence: The International Journal of Research into New Media Technologies, Vol. 23(4) 378–390 (13 s) 

Pink, Sarah., & Postill, John. (2012). Social media ethnography: the digital researcher in a messy web. (15 s)  

SchrĂžder, Kim., Drotner, Kirsten., Kline, Stephen., & Murray, Catharine. (2003). Researching Audiences. London: Hodder Arnold (170s)  

Stokes, Jane. (2013). How to Do Media and Culture Studies. London: Sage. (30 s) 

 

Metodfördjupning: Produktionsstudier och arkiv (135 sidor + 100 sidor egenvald litteratur) 

Caldwell, J. T. (2006). Critical industrial practice: Branding, repurposing, and the migratory patterns of industrial texts. Television & New Media, 7(2), 99–134. (35s) 

Forsman, Michael (2013) Talk Back and Participate! Cultural Technologies and the making of the active audience in Swedish local radio 1977-2000. In: Djerf-Pierre, Monika & Ekström, Mats (red.), A history of Swedish broadcasting: communicative ethos, genres and institutional change, NORDICOM, Göteborg, pp. 127–145 (18s) 

Forsman, Michael (2011) Metodologi, material, genomförande. I Lokalradio och kommersiell radio 1975-2010. En mediehistorisk studie av produktion och konkurrens., Stockholm: Stockholms Universitet, s. 75–103. (28s) 

Hesmondhalgh, David, & Baker, Sarah (2010). ‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries. Poetics, 38(1), 4–20. (16s) 

Holt, J. & Perren, A. (red.) (2009). Media industries: history, theory, and method. Chichester, West Sussex: Wiley-Blackwell (lĂ€ses i urval ca. 100 s) 

MĂžller Hartley, J (2013) The Online Journalist Between Ideals and Audiences. Towards a (more) audience-driven and source-detached journalism? Journalism Practice, 7(5), 572–587. (15s) 

Robertson, Craig (ed). Media History and the Archive. Abingdon: Routledge (I urval 1–2 kap) (ca. 30 s) 

Ytreberg, E. (2006). Premeditations of performance in recent live television: a scripting approach to media production studies. European Journal of Cultural Studies, 9(4), 421–440. (19s) 

 

Metodfördjupning: Statistiska metoder (250 sidor) 

Djurfeldt, G., Larsson, R. & StjĂ€rnhagen, O. (2010). Statistisk verktygslĂ„da 1: samhĂ€llsvetenskaplig orsaksanalys med kvantitativa metoder. (2. uppl.) Lund: Studentlitteratur. LĂ€ses i urval, ca. 250 sidor.