Medieproduktion: text och bild, 15 högskolepoÀng

Obligatorisk kurslitteratur: 

 

Appadurai, A. (1990). Disjuncture and difference in the global cultural economy. Public Culture, 2(1): 1-24. 

 

Berger, J. (1972). Ways of Seeing. London: Penguin Books. (129-155) (26p) 

 

Bergström, Bo (2018). Effektiv visuell kommunikation: om nyheter, reklam och profilering i vĂ„r visuella kultur. Stockholm: Carlsson. (urval) 

 

Dunne, A. and Raby, F. (2013). “A Methodological Playground: Fictional Worlds and Thought Experiments” in Speculative Everything: Design, Fiction, and Social Dreaming. MIT Press. pp. 69-88 (18 p) 

 

Haraway, D. (1985). “A Cyborg Manifesto” in Manifestly Haraway, University of Minnesota Press, 2016. pp. 5-32 (27p) 

 

Kilomba, G. (2008). “Who can Speak?” in Plantation Memories: Episodes of Everyday Racism. London: Unrast. pp. 25-38 (13p) 

 

Lothe, J. (2000). Narrative in Fiction and Film: An Introduction. Oxford: Oxford University Press. (11-49) (38p) 

 

Manovich, Lev (2017) Instagram and Contemporary Image. Pp. 9-21 (12p) http://manovich.net/index.php/projects/instagram-and-contemporary-image/ 

 

Mirzoeff, N. (2016). How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More. New York: Basic Books. (urval) 

 

Peters, John Durham (2015). The Marvelous Clouds: Towards a Philosophy of Elemental Media, University of Chicago Press. Pp. 46-53 (8p) 

 

Price, Derrick. (2009). "Documentary: new cultures, new spaces" in Wells, L. ; Photography - a critical introduction. London. Routledge. pp. 102-115 (14 p) 

 

Sontag, Susan (1973/2005). On Photography. Rosetta Books: New York. “The Image-World” (119-141) (22p) 

 

Williamson, Judith (1978/1994). Decoding Advertisements: Ideology and Meaning in Advertising. New York, London: Boyars Publishers. (17-37) 

 

Yates, Derek & Jessie Price. (2015) Communication Design: Insights from the Creative Industries. (urval) 

 

Rekommenderad litteratur: 

 

Barthes, R. (1964/1997). “Rhetoric of the Image” in Image - Music - Text. Sei. and Trans. Stephen Heath. New York: Hill and Wang. (32-51) (19p)  

 

Benjamin, W. (1936/2014): “Konstverket i reproduktionsĂ„ldern” i Bild och dialektik: essĂ€er i urval, Göteborg: Bokförlaget Daidalos. 

 

Eisenstein, S. (1977). “Methods of Montage” and “The Structure of the Film”, in Film Form: Essays in Film Theory, (ed. transl. Jay Leyda). New York: Harcou rt Brace Jovanovich. pp. 72-83; pp. 150-178 (37 p) 

 

Monaco, J. (1977/2000). How to Read a Film: The World of Movies, Media, and Multimedia - Language, History, Theory, New York: Oxford University Press, 3rd ed. pp. 28-38, pp. 152-156, pp. 428-430 (18 p) 

 

Neiger, M., & Tenenboim‐Weinblatt, K. (2016). Understanding journalism through a nuanced deconstruction of temporal layers in news narratives. Journal of Communication, 66(1), (139-160) (21p) 

 

Neves Marques, P. (2017). “Mimetic Traps: Forests, Images, Worlds”, in intercalations 4: The Word for World is Still Forest. Berlin: K. Verlag & Haus der Kulturen der Welt. Pp. 21-38 (17p) 

 

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