Medieproduktion: visuellt berättande, 15 högskolepoäng

1001 Production, Tools and Genres, 5 hp

Compulsory literature (239 p)

• Berger, John (1972). Ways of Seeing. London: Penguin Books, pp. 7‑35. (28 p)
• Bergström, Bo (2015). ”Fundamental Elements of Storytelling”, i Essentials of Visual Communication, pp. 14‑27. (13 p)
• hooks, bell (1992). ”The Oppositional Gaze: Black Female Spectators”, i Black Looks: Race and Representation. Boston: South End Press, pp. 115‑131. (16 p)
• Eisenstein, Sergei (1977). Film Form: Essays in Film Theory (red. och övers. Leyda, Jay). New York: Harcourt Brace Jovanovich. ”Methods of Montage” och ”The Structure of the Film”, pp. 72‑83; 150‑178. (37 p)
• Lothe, Jakob (2000). Narrative in Fiction and Film: An Introduction. Oxford: Oxford University Press, pp. 11‑49. (38 p)
• Manovich, Lev (2017). Instagram and Contemporary Image, pp. 9‑21. (12 p) http://manovich.net/index.php/projects/instagram‑and‑contemporary‑image
• Mirzoeff, Nicholas (2016). How to See the World: An Introduction to Images, from Self‑Portraits to Selfies, Maps to Movies, and More. New York: Basic Books, pp. 1‑27; 295‑321. (54 p)
• Monaco, James (1977/2000). How to Read a Film: The World of Movies, Media, and Multimedia ‑ Language, History, Theory (3:e upplagan). New York: Oxford University Press, pp. 28‑38; 152‑156; 428‑430. (18 p)
• Rose, Gillian (2001). Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage, pp. 6‑32; 54‑68. (37 p)
• Sontag, Susan (1973/2005). On Photography. New York: Rosetta Books. ”The Image‑World”, pp. 119‑141. (22 p)
• Tokarczuk, Olga (2017). Flights. London: Fitzcarraldo Editions, pp. 6‑16. (10 p)

Articles

• Johansen, Mike (1928). Övers. Roman Horbyk. ”How to Build a Short Story”. (5 p.)
• Mulvey, Laura (1975). ”Visual Pleasure and Narrative Cinema”. Screen, 16(3), pp. 6‑18. (12 p)
• Neves Marques, Pedro (2017). ”Mimetic Traps: Forests, Images, Worlds”, i Intercalations 4: The Word for World is Still Forest. Berlin: K. Verlag & Haus der Kulturen der Welt, pp. 21‑38. (17 p)

1002 Narratives for Media Contexts

Compulsory literature (ca 260 p)

• Demos, T.J. (2018). Decolonizing Nature: Contemporary Art and the Politics of Ecology. Cambridge: MIT Press, pp. 7‑13; 31‑42; 199‑210. (28 p.)
• Du Bois, William E.B. (1920). ”The Comet”, i Darkwater: Voices within the Veil. (18 p.) Tillgänglig online: http://www.gutenberg.org/files/15210/15210‑h/15210‑h.htm#Chapter_X
• Dunne, Anthony & Raby, Fiona (2013). Speculative Everything: Design, Fiction, and Social Dreaming. Cambridge: MIT Press. Kapitel ”A Methodological Playground: Fictional Worlds and Thought Experiments”, pp. 69‑88. (18 p)
• Povinelli, Elizabeth A. (2018). ”Mother Earth: Public Sphere, Biosphere, Colonial Sphere”. e‑flux Journal, nr 92, juni 2018. Tillgänglig online: https://www.e‑flux.com/journal/92/204673/

Recommended literature

• Hecht, Gabrielle (2018). ”Interscalar Vehicles for an African Anthropocene: On Waste, Temporality, and Violence”. Cultural Anthropology, 33(1), pp. 109‑141.
• Yaszek, Lisa (2006). ”Afrofuturism, Science Fiction, and the History of the Future”. Socialism and Democracy, 20(3), pp. 41‑60. (19 p.)

Reference literature

• Adobe Photoshop CC Classroom in a Book (print och digital).
• Adobe Premiere CC Classroom in a Book (print och digital).