Dans och filosofi, 7.5 högskolepoäng

Dans och filosofi

Att köpa eller låna

Dewey, John. 1980 [1934] Art as Experience. New York: Perigee Books, ss. 36-59.

Deleuze, Gilles och Guattari, Felix. 2015 [1980] Tusen Platåer: Kapitalism och Schizofreni. Avsnittet: ”Hur gör man sig en kropp utan organ?”, ss. 229-254.

Texter tillgängliga som PDF:er på Canvas

Agamben, Giorgio. 2000. ”Notes on Gesture”. I Means Without End: Notes on Politics, Minneapolis, London: Minnesota Press, ss.48-60.

Badiou, Alain. 2005. ”Dance as a Metaphor for Thought.” I The Handbook of Inaesthetics. Standford, California: Standford University Press, ss. 57-71.

Brannigan, Erin. 2015. ”Talking back: What dance might do with Badiou’s philsophical project”. I Performance Philosophy, tillgänglig här: https://www.performancephilosophy.org/journal/article/view/240/345

Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”. I Theatre Journal, Vol. 40, No. 4 (Dec., 1988), ss. 519-531.

Cvejić, Bojana. 2015. ”From Odd Encounters to a Prospective Confluence: Dance Philosophy.” I Performance Philosophy, Vol 1 (1) : 7-23.

Cull Laura. (2009) “How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence”. Theatre Research International. 34(3), ss. 243-255

Duncan, Isadora. ”Den stora källan” i Aisthesis: Estetikens Historia Del 1. Red. Sara Danius, Cecilia Sjöholm och Sven-Olov Wallenstein, Stockholm: Thales, ss.652-654. 

Dillon, Brian. 2007 “Inventory/Talk to the Hand: Deciphering the language of gesture.” I Cabinet Magazin. Issue 26: Magic. Tillgänglig här:    https://www.cabinetmagazine.org/issues/26/dillon.php.

Forti, Simone. Handbook in Motion. Halifax, Canada: The Press of Novia Scotia College of Art and Design, 1974, ss-36-70.

Kant, Immanuel. 2003 [1790]. Kritik av omdömeskraften. Översatt av Sven-Olov Wallenstein. Stockholm: Thales. §1-5 §14, §52-53. 

Le Roy, Xavier. 2000. “Self-Interview”, tillgänglig här: https://www.xavierleroy.com/page.php?id=a55579f8a1306fbd89389d01068b6e571a686728&lg=en

Mills, Dana. ”The Dancing Woman Is the Woman Who Dances into the Future: Rancière, Dance, Politics”, Philosophy & Rhetoric , Vol. 49, No. 4, Special Issue: Speech in Revolt: Rancière, Rhetoric, Politics (2016), ss. 482-499.

Martin, John. (1989 [1965]) The Modern Dance. Princeton: Princeton Book Company, Kap 1. What is Modern Dance?, s.1-33.

Morse, Meredith. (2014) “Simone Forti's Huddle and Minimalist Performance”, Australian and New Zealand Journal of Art, 14:1, 30-41.

Nietzsche, Friedrich. 2007 [1883]. SĂĄ talade Zarathustra: En bok för alla och ingen. “Zarathustras företal”, del 1-10 (s.9-26), ”DanssĂĄngen” i Del 2, s. 134-137 och “Den andra dansvisan” i del 3, s. 281-285. Översatt av Nikanor Teratologen. UmeĂĄ: Text och Kultur.

Peeters, Jeron. 2007 “Standing, Leaning, Falling, Lying: Shadow Bodies 2007”, tillgänglig här: https://www.philippgehmacher.net/#/texts-26.

Piper, Adrian. “Notes on Funk II.” (2012) [1983] I Dance. Documents of Contemporary Art. Redigerad av André Lepecki. London: MIT Press, ss.155-158.

Piper, Adrian. “Some Reflective Surfaces.” (2012) [1975] I Dance. Documents of Contemporary Art. Redigerad av André Lepecki. London: MIT Press, ss.153-155.

Pouillaude, Frédéric. 2017. Unworking Choreography: The Notion of the Work in Dance. Oxford, Oxford University Press: ss. 3-12.

Rancière, Jacques. 2013. ”The Dance of Light” i Aisthesis: Scenes from the Aesthetic Regime of Art, översatt av Zakir Paul. London/New York: Verso, 2013, s.93-110.

Wallenstein, Sven-Olov. 2012 ”Introduktion till Kritik av omdömeskraften” i Aisthesis: Estetikens Historia Del 1. Red. Sara Danius, Cecilia Sjöholm och Sven-Olov Wallenstein, Stockholm: Thales, s.154-156.

Referenslitteratur (inte obligatorisk)

Cvejic, Bojana. 2015. Choreographing Problems: Expressive Concepts in Contemporary Dance and Performance. London/Basingstoke: Palgrave McMillan, ss. 1-27.

Rokem, Freddie. 2009. Philosophers and Thespians: Thinking Performance. Stanford: Stanford University Press: s. 1-58.

Wikström, Josefine. Practices of Relations in Task-Dance and the Event-Score: A Critique of Performance. London and New York: Routledge, 2021, ss. 64-91.

Moten, Fred. (2003). Resistance of the Object: Aunt Hester’s Scream” In the Break: The Aesthetics of the Black Radical Tradition. Minnesota: University of Minnesota Press, s.1-24.